"The Blues ain't nothing but a good man feeling bad."
(From - "Crossroads" with Ralph Macchio)
*** *** ***
The
first time I heard someone play the blues on a harmonica,
it moved me so much, I just had to learn how to play.
I found myself in McCabes
Guitar Shop back in the 1980's and there on the
shelf was a booklet and audio cassette, 'Blues Harmonica
for the Musical Idiot' by David
Harp. That's it, I fit all the qualifications. I bought
it and started to practice. It was really frustrating at
first. I would listen to a blues song and try and make
the same notes happen. No
matter how hard I tried or how long I played, it just didn't
sound like the blues. I kept at it and in a couple of months
something started to happen. I had moments of joy, happiness,
and bliss, and my playing would sometimes
turn into a kind of performance. The blues and all those
feelings would just sort of happen. Most cool!
I started to carry the harp with me wherever I went, and
when I found some time and space, would practice chords and
bent notes. The blues harp is so portable and inexpensive,
I bought a few of them, some for home and some for carry.
I started going to 'Blues' clubs in and around Los Angeles.
The 1980's was a great time to be in LA, and listen to the
blues. One of my favorite places was called the "Music
Machine"
on Pico Blvd in West LA. I saw some of the real legends
play in the 1980's... Albert King,
B.B. King, Willie Dixion, Albert Collins, Otis Rush, Buddy
Guy, Brownie McGee, Junior Wells. And folks like...
Roy Buchanan, Rory Block, Coco Montoya, William Clarke,
James Harman, Kim Wilson, John 'Juke' Logan, Cephas
& Wiggins, just to name a few.
My own style was turning into a kind of 'Country Acoustic'.
Sort of like- Sonny Terry, Sonny Boy Williamson #1 and #2,
Phil Wiggins with a little William Clarke thrown in for
good measure.
The Vibe TV Show with Sinbad, "I was asked
to speak about my work at Juvenile Hall and play
some Blues with the band... Sometimes life just
happens, and you're along for the ride"
Well,
1994 came along, I took ordination as a Buddhist Monk
in the Zen tradition and put my harmonicas to rest, or
so I thought.
I became a volunteer at Central Juvenile Hall in Downtown
Los Angles teaching Buddhism and meditation to the young
folks behind bars. I went twice a week for four years and
found other volunteers to help teach meditation, Yoga and
Tai Chi.
I started to see, simply talking about suffering was not
going to move these guy's and gal's to think about their
lives. So one day I brought my harmonica to juvenile hall,
and in the middle of a presentation, I started talking
about the blues and how hard it is to live
as a human being in a world filled with so much suffering.
I pulled out the harmonica and played a tune. It blew them
away. It was so unexpected. This Buddhist Monk guy, was playing
the blues on a harmonica. A lot of the kids had never heard
blues harmonica before, but it didn't matter they could
feel it. They were living the blues!
During
one of my years as a volunteer, I taught blues harmonica
at a high risk juvenile probation camp in Malibu, CA. I
was asked by a member of the camp staff (Mr. Eaton) if I
would be interested in teaching blues harmonica? I said, "Yes,
I'd be happy to give it a try." I was able to get some
free harmonicas through a friend (Jeff Gold) who contacted
John Popper (*Blues Traveler). John was kind enough to
donate 'Hohner' harmonicas to the camp, and the program
began. A few weeks into the program a professional guitar
player (John McDuffy) volunteered to play, and put together
a beginning music course for the kids. It was a lot of
fun to share the blues with the guys, and they got to keep
the harmonicas.
Those young guys heard the blues and it touched them. The
suffering I speak about in my presentations on Buddhim was
transformed into blues music for them. When they played,
they played for real. It was their life they were playing
about. For years folks feeling down and out, listened and
played the blues to feel better. It's a doorway to the
heart, a place of hope.
These days I don't play or practice as much as I used to,
but the power of the blues still amazes me! It can heal and
inspire. It's a musical meditation. When you the play blues,
you are the music. The
pains of the past and fears of the future, just fall away.
The story of the blues, fit nicely with the teaching's of
the Buddha. "Life is filled with suffering," the
Buddha said, and along the way there is joy and happiness,
but it just doesn't last. As a Buddhist my message is, "Take
refuge in the teaching's of the Buddha and end your suffering
forever."
A
friend once asked, "Doesn't playing the
harmonica break a Buddhist precept?" "Yes and
no" I
said,
"If I can play the blues and end some suffering, I
suppose you could call my playing, skillful means."
---
--- ---
An
interview with Kusala on his work and Practice.
In part 2 of his two part interview,
Kusala starts off with talking about playing his harmonica
at
juvenile hall and then plays some blues. This is a Flash
Movie and will auto-start when the page opens.
November
6, 2005 at "One
Spirit" in Simi Valley, California
MP3
File <--
512
KB / Rev. Kusala and
the One Spirit Band - "Harmonica Blues" MP3
file <-- 584
KB /
Harold
Payne and the One Spirit
Band - "The Urban
Dharma Blues"
Rev.
Kusala, "I
play the Lee
Oskar and the Suzuki BluesMaster
and ProMaster diatonic harmonicas.
Note: The more I play the Suzuki ProMaster harmonica,
the more I appreciate the quality
and
responsive
nature
on this harmonica. A page filled with a whole lot of useful
links
is the Blues
Harmonica Links Page. For more info on John
Popper see Blues
Traveler. A good
place to buy your next harmonica at a good price
is Coast2CoastMusic.com.
"Adam is the real deal and has some of the best blues harmonica lessons on YouTube" ~ Rev. Kusala
From Adam's 'YouTube' Channel -- This channel features an ongoing series of free-form lessons in the subtleties of contemporary blues harmonica. Beginners will learn useful things here, but most of my conversation is oriented towards intermediate and advanced players who have learned some or most of the basic techniques but KNOW they are missing something. It's that "something" that I'm going to explore here. I'll also use this channel to share footage of Sterling "Mister Satan" Magee, Nat Riddles, and the other mentors and players from whom I've learned and with whom I've shared stages.
When I'm not uploading quick-hit blues harp lessons to YouTube... I'm an associate professor of English and Southern Studies at the University of Mississippi in Oxford, MS. I've published widely in the areas of American and African American literature, and I have three books to my name: MISTER SATAN'S APPRENTICE: A BLUES MEMOIR (1998), SEEMS LIKE MURDER HERE: SOUTHERN VIOLENCE AND THE BLUES TRADITION (2002), and the forthcoming JOURNEYMAN'S ROAD: MODERN BLUES LIVES FROM FAULKNER'S MISSISSIPPI TO POST-9/11 NEW YORK (2007). Between 1986 and 1998 I was the harmonica-playing half of Satan and Adam, a Harlem-based blues duo with three CDs on the Flying Fish and Rounder labels: HARLEM BLUES (1991), MOTHER MOJO (1993), and LIVING ON THE RIVER (1996).
The
joys and teachings of dharma flow through every human
activity. The creation of sound and rhythm in the
midst of space and silence has always helped people
wake up to life. Music flourished in specific ways
in every culture around the world, and it has the
ability to cut through our perceived differences.
Insight Meditation Center brings together three Western
practitioners of Buddhism and of music. Their folk-rooted
acoustic music combines traditionand innovation much
as our practice here in California does the same.
But the bottom line is that we can share and enjoy
this music together. - Web
Page
"Paramita" - Rev. Heng Sure & Friends
Paramita: American Buddhist Folk Music / MP3 / Amazon.com - Click Here
American Buddhist folk songs - Pioneering a new wave of Western Buddhist culture. Socially awake, talking about mad American Beef Cows, peak oil, and cause and effect, Rev. Heng Sure has been called "the Buddhist John Denver." These are clean, homespun tunes featuring guitar, banjo, mandolin, fiddle and dulcimer. The musicians helping out include some of the Bay Area's most experienced acoustic players: Henry Kaiser, Alan Senauke, Paul Hostetter, Josh Michaell, Robin Petrie, and Brian Godchaux.
"Rev. Heng Sure embodies what's best in contemporary Western Dharma: deep wisdom and compassion cultivated over many years of practice combined with a playful spirit, warmth and accessibility that delight and inspire. These songs touch us in a way that makes us want to act to make the world a better place. And it's darn good music!"
-- James Baraz, Spirit Rock Meditation Center
Walter Trout
I first met Walter and his family in April of 2008 at a church in Orange Country, California... I was giving a talk on community service and played a little blues on my harmonica... Walter came up after my talk and thanked me for my commitment to community service and sharing the blues... When Walter's not on the road playing, you can often find him teaching the blues with skill and wisdom in workshops and seminars, helping young people play with heart. ~ Rev. Kusala
New Jersey-born blues-rocker Walter Trout spent decades as an ace sideman, playing guitar behind the likes of John Lee Hooker, Big Mama Thornton, and Joe Tex. In 1981, he was also tapped to replace the late Bob Hite in Canned Heat, remaining with the venerable group through the middle of the decade. While filling in one night for an ailing John Mayall, Trout (also a Bluesbreaker for some five years) was spotted by a Danish concert promoter who agreed to finance a solo tour. Assembling his own backing band, in 1990 he released his debut LP, Life in the Jungle, trailed a year later by Prisoner of a Dream. Albums including 1992's Live (No More Fish Jokes), 1994's Tellin' Stories, and 1997's Positively Beale Street followed. Trout continued a steady release schedule, issuing Livin' Every Day in 1999, a live album the following year (recorded at the Tampa Bay Blues Fest), the 2001 studio album Go the Distance, 2003's Relentless -- which Trout and his band, the Radicals, recorded in front of a live audience -- and 2005's Deep Trout, a compilation of early and unreleased recordings. On the 2006 release Full Circle, Trout realized his dream of creating an album with some of his most admired musicians, including John Mayall, Coco Montoya, and Joe Bonamassa, among others. ~ Jason Ankeny, All Music Guide
"The Outsider" by Walter Trout / MP3 at Amazon.com - Click Here
Walter Trout - Live at the 'Paradiso in Amsterdam' Playing - "Dust My Broom"
"Crossroads" - Ralph Macchio, Joe Seneca, Jami Gertz -
"Crossroads"
@ Amazon.com -- The legend of Mississippi blues master
Robert Johnson has served as a fountainhead for generations
of blues and rock musicians, as well as a powerful fable for
the dark, often violent mysteries of delta blues. Johnson's
mythic deal with the Devil, in exchange for his extraordinary
musical gifts, has become a fixture in blues lore and an example
of the enduring pull of superstitions that can be traced back
to Mother Africa and Yoruba deities. Producer-director Walter
Hill (The Long Riders, Streets of Fire) sought to put this
uniquely American mystery on film, but when he was unable
to secure a script devoted directly to Johnson himself, Hill
bravely decided to proceed with a more oblique, allegorical
story that retold the Satanic bargain through a fictionalized
drama set in the present day. In this 1986 feature, the hero
is Eugene, a classically trained guitar virtuoso pulled toward
the earthier powers of blues. When he stumbles across a lost
blues legend, Willie Brown (a real blues figure and Johnson
peer known for his partnerships with Charley Patton and Son
House, among others), Eugene begins an odyssey back to the
delta country and the crossroads of the title, where both
Willie and Johnson had traded their souls for blues power.
An opening sequence, shot in sepia-toned black and white,
dramatizes Johnson's own supernatural encounter, as well as
one of the bluesman's historic Texas recording sessions, and
Hill's visuals combine with Ry Cooder's reliably authentic
slide guitar and Sonny Terry's blues harmonica to offer a
convincing link to blues history. -- edited Amazon.com review
"The American Folk Blues Festival 1962-1969" Volumes One, Two and Three
The
American Folk Blues Festival was an annual event that
featured the cream of American blues musicians barnstorming
their way across western Europe every fall from 1962 through
1969. Recorded live in a small TV studio in Germany, these
historic and unseen performances have been lost for nearly
40 years. Filmed with superb camera work and pristine sound,
each DVD contains 18 complete performances from the greatest
blues musicians of all time. Captured during their heyday
in an era of scant video documentation, these DVDs are truly
one of the most unique and precious visual documents of the
blues.
AFBF
- Volume 1 @ Amazon.com -- Songs: Call Me When You
Need Me (T-Bone Walker), Hootin' Blues (Sonny Terry & Brownie
McGhee), The Blues Is Everywhere (Memphis
Slim), I
Can't Quit You Baby (Otis Rush), Another Night to Cry (Lonnie
Johnson), Women Be Wise (Sippie Wallace), Hobo Blues (John
Lee Hooker), Five Long Years (Eddie Boyd), Shakey's Blues
(Walter 'Shakey' Horton), Hoodoo Man Blues (Junior
Wells),
Mean Stepfather (Big Joe Williams), Going Down to the River
(Mississippi Fred McDowell), Weak Brain and Narrow Mind (Willie
Dixon), Nine Below Zero (Sonny Boy Williamson), Spann's Blues
(Otis Spann), Got My Mojo Working (Muddy
Waters), Bye Bye
Blues (Muddy Waters, Sonny Boy Williamson, Memphis
Slim, Willie Dixon) --- Bonus track from Earl
Hooker in 1969, "Walking
the Floor Over You/Off the Hook
AFBF
- Volume 2 @ Amazon.com -- Songs: Bye Bye Bird, My
Younger Days (Sonny Boy Williamson), Come On Home Baby (Sunnyland
Slim), Nervous (Willie Dixon), Mojo Hand (Lightnin'
Hopkins),
Black Snake Blues (Victoria Spivey), Everyday I Have the Blues
(Memphis Slim), Don't Throw Your Love on Me so Strong (T-Bone
Walker), Tall Heavy Mama (Roosevelt Sykes), Sittin' and Cryin'
the Blues (Willie Dixon), Murphy's Boogie (Matt "Guitar"
Murphy), Stranger Blues (Sonny Terry & Brownie McGhee),
Shake for Me, I'll Be Back Someday, Love Me Darlin (Howlin'
Wolf), Down Home Shakedown (Big Mama Thornton) --- Two bonus
tracks from Magic Sam in 1969: All Your Love and Magic Sam's
Boogie
AFBF
- Volume 3 @ Amazon.com -- Songs: Hound Dog (Big
Mama Thornton), Gulfport Boogie (Roosevelt
Sykes), Out of Sight
(Buddy Guy), Feel So Good (Dr. Isaiah
Ross), Flip, Flop &
Fly (Joe Turner), All Night Long (Skip
James), Crow Jane (Skip
James), Got Sick & Tired (Bukka White),
Death Letter Blues (Son House), Wild About
You (Hound
Dog Taylor/Little Walter on harp), Wang Dang
Doodle (Koko Taylor), Stranger Blues, Burnt
Child (Afraid of Fire), Move Across the River (Sonny
Terry & Brownie
McGhee), The Blues Ain't Nothin' But a Woman (Helen
Humes)
--- Bonus tracks: Earl's Boogie (Earl Hooker),
Long Distance Call, I Got My Mojo Working (Muddy
Waters)
Amazon.com
- Review: In any context, on any stage, these performers
all have presence to spare. Considering the source (Euro TV)
and the age of the film (some over 40 years old), I was completely
blown away. There's no disappointment anywhere in these DVDs,
and what a great variety of classic blues! Electric guitars,
acoustic guitars, slide guitar work, male vocalists, female
vocalists, Chicago style, Delta style, slow tunes, upbeat
tunes, these DVDs have it all, by the absolute best in the
business!
An
interview with Kusala on his work and Practice. 
Living on the River 
"Paramita" - Rev. Heng Sure & Friends 
